Wednesday 6 August 2008

Enuff Z Nuff - Welcome To Blue Island (2002)


Another forty or so minutes of glamorous rock from Chip and the boys. Mind you, things don't start too well on the almost Green Day bubblegum stomp of 'Saturday', although Donnie's drawl on 'Cant Wait' provides enough beef as a hair raising rocker, and 'Good Times' certainly brings...well, good times as the band swing in with another Beatles-esque vibe before slowing the pace, but Vie is still Lennon-esque in his grooves, and the chorus is another of those swaying, breezy and instantly catchy songs. The problem with the band by this point though is that whilst they continue to produce quality records which remain criminally ignored, their brand of sugary pop-rock is something one can overdose on without a doubt. The Beatles influences are so strong, except for maybe the band at their heaviest on 'Roll Me', but 'Sanibel Island', 'Rollerbladin In The Shade', with its psychedelic chorus (although the general outlay of the track is very much an '80s hair metal groove, maybe Def Leppard anyone ?)...however, it's difficult to fault such influences, and the ability the band have of knitting together such seemingly simple song structures. You feel like you've heard it all before, indeed you may well have, but pure rock 'n' roll will always bring to mind other artists, take a look at T-Rex, The Rolling Stones, The Kinks and Oasis for examples of that seemingly endless stream of classic sounding tracks.

'Welcome To Blue Island' isn't anywhere near the bands greatest efforts, and yet still they remain head and shoulders above countless other, and more successful bands. Enuff Z Nuff are indeed one of those bands who will make you question the science of music in general, and as a wonderful band they simply remain tragic proof that in most cases, the best are ignored.


8/10

Saturday 2 August 2008

Enoch - Graveyard Disturbances (2004)


Firstly, this is not a metal album as such but if you're a fan of the musical scores to such great horror films as 'Suspiria', 'Halloween', 'The Fog' etc, then this is a must have. Featuring the talents of Mirai and Killjoy (Necrophagia), this is truly dark and disturbing stuff for any satanic ritual. These two guys have compiled twelve superb tracks which act as horror movie scores, so forget crunching guitars and hammering drums, this is all about evocative synths, eerie jingles, moody whispers, spooky thuds and creeping atmospheres, amazing stuff. I guess track titles are pointless here but the slow moving menace of 'Dominion' peeps from the darkest corner whilst the mesmerising 'La Chiesa di Anime Perse' evokes images of zombies littering the desolate streets in some bizarre Italian horror flick, amazing indeed. This is certainly an album for the low lights, burning candles and gloomy trips into the unknown as the duo provoke paranormal visions and gothic horror. Fantastic stuff.


8/10