Protector - A Shedding of Skin (1991)

Protector are the sort of thrash band that are a must-have for thrash metal fans and most of their releases over the decades deserve their place on this blog. Incredibly underrated, these guys literally smoke from the vocals to the explosive guitars. 'A Shedding...' is the third studio opus from these German nutcases and at times offers a slightly deathlier grunt mixed with those harsher, seething tones but pick out any track on this twelve-track offering and you'll literally be blown away by the craftsmanship and Kreator-styled mayhem. I don't really know where to start with these guys but whether it's the frantic derangement of 'Mortuary Nightmare,' 'the bruising, throttling 'Face Fear' or my favourite act of battering, 'Death Comes Soon' you can not escape the fury of this band who consistently released potent albums up until the mid '90s and then re-emerged in 2013 with the fantastic 'Reanimated...' platter. Pure thrash to its core, 'The Shedding Skin' is a precise mini-masterpiece and the first to feature Olly on vocals who took over from Martin Missy.
8/10

A.R.G. - World Without End (1991)

This is some truly snarling thrash metal emerging from the deepest recesses of Polish lore. A.R.G. only released a brace of albums, this one being a tad more assertive than the 'Entrance' (1989) debut. Fans of the likes of Kreator will like this record especially the sneering vocals of Tepa Karjalainen but the whole product is delivered in quite belligerent fashion but it's also thinking man's metal too with the epic title track being an in-depth mind blower of varying tempo. The likes of 'Stray Bullet' sees the band in full chugging flow but most of the songs on this obscurity are worthy of any thrashers time. Not a lot more to say about this sort of record but the harsh, almost rugged feel of the production means this opus offers a nice gnarly dose of scything thrash metal mayhem.
7.5/10

Infected - Dark Century (1989)

A long forgotten thrash metal gem; these guys hailed from Switzerland and only released one platter, being this one. Very much politically-minded throughout and featuring vocals which have more in common with death metal, this is still a decent and often technical opus that mixes melody with faster, more aggressive segments. Arguably no thrills in its approach it still strips the meat from the bone with that sniping guitar sound. The drumming is also impressive and features the chap who appeared on Messiah's (also from Switzerland) 'Choir of Horrors' album. As I said, a good enough thrash metal record that should have got the recognition it deserved but how many times do you read me saying that? Either way, if you like dark and often rough thrash metal then this is one worth seeking out.
7/10

Aura Noir - Hades Rise (2008)

Aura Noir are the sort of band who, like more recent Darkthrone ramblings, effortlessly span numerous generations within the metal genre. A tad nastier and certainly with extra sneer than Fenriz and co', 'Hades Rise' is a despicable little offering best experienced on black spinning wax. It' certainly one of the best albums to emerge over the last few decades, having that sepulchral metal charm of so many obscure '80s records and yet with the steely glint to mercilessly scythe its way through the competition in the modern day. Oily, leathery and bat-winged this snarls from beginning to end chugging into effect with the rancid title track featuring its twisted riff injections whilst 'Gaping Grave Awaits' plods into the fray with grim aplomb. Featuring Blasphemer from Mayhem and Danny from Autopsy, 'Hades Rise' is a putrid ten-track affair that couldn't get any blacker or squalid if it tried. Effortlessly unkempt this sounds like it's been recorded in 1985, and that's the biggest compliment I can give to this seething pit of filth.
8/10

Frigid Bich - Tyrants of a Generation (2011)

This opus is a compilation featuring a mix of live and studio recordings from this cult U.S. metal act who disbanded back in the '80s. Although generic in places, this compilation is still a solid offering showing the talents of this rather obscure swashbuckling metal force who really come alive with the thrashin' mayhem of 'The Kids Are Gonna Fight' which has a NWOBHM feel combined with that old, greasy Metallica feel circa 'Kill Em All.' Not the greatest vocalist of all time, this has a loose feel at times but it's still a rollicking listen with the title track and 'We Rule The Night' being the sort of anthem that should stick in the ears for many moons to come. If you like your metal distinctly '80s then you can't go wrong with this slab.
7/10

Septic Death - Now That I Have Your Attention... (1986)

Typical of its time to some extent, Septic Death's 'Now that...' is a classic mix of punk, hardcore and attitude with a killer snare drum and some dirty grooves to boot. This cult band were fronted by Brian Schroeder, best known as Pushead who not only produced the fantastic sleeve art but also worked designed covers for the likes of Metallica, and the lesser known Kinghorse.

This chaotic little was the first full-length release by the band, featuring such killer cuts as 'Change' with its fuzzoid guitar, the raucous 'Silence' and the hostile 'Terrorain'. Eighteen solid tracks of riotous punk rock, it's an album that's difficult to argue with unless you want to lose all of your teeth.
7/10

D'Molls- s/t (1988)

One of m favourite glam rock albums from the '80s, this severely underrated group should've experienced the same success as bands such as Poison but probably took too long in releasing their debut platter despite being around years previous. The band were fronted by Desi Rexx (who also played guitar) who was accompanied by Lizzy Valentine (bass guitar), S.S. Priest (guitar) and Billy Dior (drums). The debut platter, one of only two they would release, mixed cheeky pop-tinged melody with plenty of lipstick and hairspray but beneath the glam and glitter were a set of fantastic tunes such as '777', 'Dressed to Thrill' and 'D'Stroll' all delivered with grace but also the cheery disposition of say, Cheap Trick.

It's a cool debut opus that really deserved the promotion but by the time the band's second opus, 'Warped' had come round metal had moved on considerably. It's a shame because this opus puts a lot of other glam bands in the shade - proof that there was a lot more to this scene than just pout. Extremely catchy throughout, this is one glam metal album you should own.
8/10